English 43 -- British Literature II

Dr. Eric Sonstroem
Office: WPC 137 Phone: 946-2619 
Office Hours: TBA, or by appointment. 
Email:

Spring 2012
M, W, F 12:30 - 1:45
WPC 131

Overview:

We will be studying and enjoying British literature from 1800 to the present day, a very exciting span of time that challenged what both "British" and "literature" fundamentally mean.  This period saw the continued rise and the dramatic fall of Britain as an imperial power.  It saw Napoleonic revolution and two world wars.  Britain got smaller as its imperial boundaries eroded, but also larger as it accepted the postcolonial influx of a global population into England.  This forced a continual reevaluation of not only national identity, but personal identity, identity of the family, and gender identity as well.  We will be studying great works of 19th and 20th century fiction and poetry against this historical backdrop of radical change.  We will be reading some of the richest and most innovative literature ever produced by human beings.  Your life will be changed for the better.

Required Texts:

The books should all be available at the bookstore.  If not, you can use the ISBN numbers to purchase them online at your favorite discount book dealer. 

You might notice that we have no anthology for this class.  Instead of a very expensive anthology, you will be downloading and printing out the shorter readings for this class.  You will be required to print out readings from the web and bring them with you to class.  Failure to do this will lower your class participation grade.

Some of the readings to print out will be located in the "Resources" section of our Sakai course site, and some of them are available right off this syllabus.

Policies:

Course Policies:

You will notice that there is a web page for the class, which you are reading now.  This more or less takes the place of both a syllabus and a coursepack.  You will be required to access this web page throughout the semester, for readings, assignments and other material.  Some reading assignments will be placed in the �Resources� section of our Sakai websiteComputer access, internet access, and access to a reliable printer are therefore vital to the class.

Written work will probably be submitted to me electronically.  Hard-copy assignments should be printed on white paper, in a standard 12-point font, with one inch margins. Your papers should be double spaced, and should contain my name, your name, the course number, the date, and a title.

Late papers will be marked down 1/3 of a letter grade for each calendar day they are late.  I will consider giving short extensions on assignments if you contact me ahead of the due date and you have a good reason for wanting the extension.  All assigned work must be completed to pass the course.

Attendance is required.  You may miss three "personal days" for any reason (and I don't want to know the reason).  After that, your final grade will drop 1/3 of a letter grade for each additional day missed.

You need to show up for class on time.  I may count excessive lateness as absences.  Reading quizzes are given at the beginning of class, and cannot be made up.

No cell phones.  No text messaging, etc.

No open computers in class, unless we are doing an activity that requires them.  This means that class readings from the web must be printed out and brought to class on paper.  I may periodically check to see if you've brought in the class reading.

Plagiarism is the attempt to pass off someone else's text or ideas as your own. If you copy or paraphrase from any outside source, even another student, and fail to formally acknowledge this in your text, you are guilty of plagiarism. If someone else writes a paper for you, or even part of a paper for you, you are guilty of plagiarism. If you are at all uncertain whether something is plagiarism or not, please ask me!  If you are found guilty of plagiarism, you will receive an F for the assignment, an F for the course, and a letter will be sent to your dean. There are no exceptions.  In such cases, the student will be prevented from dropping or withdrawing from the course, even if the deadline to do so has not expired. Further disciplinary action may also be taken by the Office of Judicial Affairs. The full text of the University's Academic Honesty Policy can be found here.

Grading Policy:

Most of your grade will be determined by two papers and two exams, a mid-term and a final.  The final is non-cumulative.   There will also be a number of unannounced reading quizzes, which will be no problem if you have kept up with the reading. 

Since discussion will be an important part of class, it will also be an important part of your grade.  We are here to read these works as a community--that's the reason people take literature classes instead of just reading things on their own.  It's your responsibility to be an active part of this community.  Students who contribute thoughtfully to discussion, and who listen respectfully to their classmates, will be rewarded.  Students who don't contribute, or who attempt to dominate discussions at the expense of their classmates, will not be rewarded.  Here's how to prepare for discussion:

To help get the discussions started, students will be divided into five groups of "discussion instigators" at the beginning of the semester.  On a rotating basis, members of these groups will prepare a short (one paragraph) response to that day's reading, which raises some kind of question or discussion issue about the reading.  You will be responsible for six short discussion instigations throughout the course of the semester.  Print these out and be prepared to read them on your instigation day.

Students with Disabilities:

If you are a student with a disability, who requires accommodations, please contact Mr. Daniel Nuss, Coordinator of the Office of Services for Students with Disabilities in Bannister Hall, room 101, for information on how to obtain an Accommodation Request Letter. Contact:SSD@pacific.edu or (209) 946-2879. Then please schedule a meeting with me during office hours or some mutually convenient time to arrange the accommodation(s).

"STUDENTS WITH DISABILITIES           

Please notify me about any special needs during the first week of the semester.  Those students needing accommodations due to a disability should arrange a meeting with me during office hours and provide an accommodations request letter obtained from the Office of Services for Students with Disabilities in Bannister Hall Room 101."

Grading:

Grade Calculation Chart

Participation (In-Class Discussion, Instigations) 20%
Paper 1 15%
Final Paper 20%
Mid-Term Exam 15%
Final Exam 20%
Reading Quizzes 10%
Total: 100%

Schedule of Classes:

Discussion instigation group numbers are in the gray squares.

This schedule isn't entirely set in stone.  I may change around the readings somewhat to better meet the needs of the class.

  Week 1 Begins 1-9
M   Welcome to class.  Course policies and introductions.  History of the British Empire.
W   Blake, Marriage of Heaven and Hell. Click here for the version to print.  

Also take some time to look at Blake's original illustrated text here.  If this link to the illustrated text doesn't work on your machine, try this instead.  No need to print these.
F 1 British slave trade: For background, read this wikipedia entry (no need to print it).

Print these literary texts: History of Mary Prince, Bellamy "Benevolent Planters" (available on Sakai), and Hannah More "The Sorrows of Yamba".  

To see what More's poem looked like when originally published, click here. (no need to print it)

 

  Week 2 Begins 1-16
M   MLK Holiday.  No Class.
W 2 Wordsworth From the 1805 Prelude(Book I, lines 1-115), "Ode", "Resolution and Independence". Printable texts all here.
F 3
Coleridge "Kubla Kahn", "Crystabel".  Both are here.

 

  Week 3 Begins 1-23
M 4 Coleridge "Rime of the Ancient Mariner"
W 5 Byron from Childe Harold's Pilgrimage, Canto 4, Joanna Baillie "London" & "Thunder", Felicia Hemans "The Homes of England"  All are here.
F 1 Barbauld "Inscription for an Ice-House", Shelley "Hymn to Intellectual Beauty", "Ode to West Wind", Keats "Ode to the Nightingale".  All are here.

 

  Week 4 Begins 1-30
M 2 Shelley Frankenstein Volume 1 (3-58), and also read the 1831 "Introduction" beginning on p. 169.
W 3 Shelley Frankenstein Volume  2 (59-101)
F 4 Shelley Frankenstein Volume 3 (103-156)

 

  Week 5 Begins 2-6
M   Mary Poovey. "'My Hideous Progeny': The Lady and the Monster", pages 251-261 in our Frankenstein book.
W  

Draft of first paper for peer review and feedback. Paper assignment here.

F   First Paper Due. In class:  Intro to the Victorian Era.

 

  Week 6 Begins 2-13
M Arnold "Dover Beach" and "The Buried Life",   (note: feel free to read the notes and commentary on "Dover Beach", but you only have to print out the poem itself.)
From Culture and Anarchy "Sweetness and Light"
W 1
Mill from Autobiography Chapter 5
"Testimony" of Hannah Goode and Ann and Elizabeth Eggley, from Parliamentary Papers ("Blue Books") (available on Sakai)
F 2
Christina Rossetti "Goblin Market"

 

  Week 7 Begins 2-20
M
No Class.  Presidents' Day.
W 3 Elizabeth Barrett Browning from Sonnets from the Portuguese, Robert Browning "Soliloquy of the Spanish Cloister", "My Last Duchess".  (note: feel free to read the notes and commentary on "My Last Duchess", but you only have to print out the poem itself.)
F   Mid-Term Exam (in class)

 

  Week 8 Begins 2-27
M 4 Jane Eyre through chapter 8
W 5 Jane Eyre chapters 9-14
F 1 Jane Eyre chapters 15-19

 

Spring Break!

 

  Week 9 Begins 3-12
M 2 Jane Eyre chapters 20-26
W 3

Jane Eyre chapters 27-31

Also, we will discuss I Walked With A Zombie.

F   Jane Eyre chapters 32-end

 

  Week 10 Begins 3-19
M   Hardy "The Withered Arm"
W Doyle "The Sussex Vampire" (here) and Walter Pater from The Renaissance, "Leonardo da Vinci" (here)
F
Elliot "The Love Song of J. Alfred Prufrock" (here).  Also see here for a cool, hypertext version of this poem with notes.

 

  Week 11 Begins 3-26
M 5 Conrad "The Heart of Darkness" (3-31)
W 1 Conrad "The Heart of Darkness" (31-54)
F 2
Conrad "The Heart of Darkness" (54-77)

 

  Week 12 Begins 4-2
M   Achebe, "An Image of Africa: Racism in Conrad's Heart of Darkness" (336-349)
W   Brantlinger, "Imperialism, Impressionism, and the Poetics of Style" (386-395)
F 3
Joyce "Araby" and "Eveline" on Sakai.

 

  Week 13 Begins 4-9
M 4
Woolf "The Mark on the Wall" on Sakai. 
W 5
BLAST, "Vorticist Manifesto", Yeats "The Second Coming" , "Sailing to Byzantium" on Sakai.    In Class: Various Manifestos
F
PACIFIC DAY 

 

  Week 14 Begins 4-16
M 1
Rhys Wide Sargasso Sea p. 3-45
W 2
Rhys Wide Sargasso Sea p. 45-82
F 3
Rhys Wide Sargasso Sea p. 82-112

 

  Week 15 Begins 4-23
M 4
www.ryman-novel.com 

Read the "important 253 announcement" and "253? Why 253?"  Then read through Car 1 (which would be passengers 1-37).

W 5
www.ryman-novel.com 

Read for at least an hour into "Chocolate and Portfolios,"  "The Dance," and/or "Tube Theatre" Then read a few cars from "The End of the Line."  Be prepared to talk about your journey.

F
No Class. Email your final paper to me by this date.

 

  Final Exam at our scheduled time



     
   

This syllabus and accompanying material is copyright 2012 by Eric Sonstroem.